A collaborative site-specific installation between Kate Carr, Lee Running and Tatiana Ginsberg at Pyramid Atlantic Art Center in Silver Springs, MD. May 2009. There will be an artist book produced at Pyramid Atlantic as part of this collaboration. The show investigated the connections between the process-driven works of these three artists in relationship to handmade paper, correspondence, and shorthand. A collaborative site-specific installation between Kate Carr, Lee Running and Tatiana Ginsberg at Pyramid Atlantic Art Center in Silver Springs, MD. May 2009. There will be an artist book produced at Pyramid Atlantic as part of this collaboration. The show investigated the connections between the process-driven works of these three artists in relationship to handmade paper, correspondence, and shorthand. A collaborative site-specific installation between Kate Carr, Lee Running and Tatiana Ginsberg at Pyramid Atlantic Art Center in Silver Springs, MD. May 2009. There will be an artist book produced at Pyramid Atlantic as part of this collaboration. The show investigated the connections between the process-driven works of these three artists in relationship to handmade paper, correspondence, and shorthand. A collaborative site-specific installation between Kate Carr, Lee Running and Tatiana Ginsberg at Pyramid Atlantic Art Center in Silver Springs, MD. May 2009. There will be an artist book produced at Pyramid Atlantic as part of this collaboration. The show investigated the connections between the process-driven works of these three artists in relationship to handmade paper, correspondence, and shorthand. A collaborative site-specific installation between Kate Carr, Lee Running and Tatiana Ginsberg at Pyramid Atlantic Art Center in Silver Springs, MD. May 2009. There will be an artist book produced at Pyramid Atlantic as part of this collaboration. The show investigated the connections between the process-driven works of these three artists in relationship to handmade paper, correspondence, and shorthand. A collaborative site-specific installation between Kate Carr, Lee Running and Tatiana Ginsberg at Pyramid Atlantic Art Center in Silver Springs, MD. May 2009. There will be an artist book produced at Pyramid Atlantic as part of this collaboration. The show investigated the connections between the process-driven works of these three artists in relationship to handmade paper, correspondence, and shorthand. A collaborative site-specific installation between Kate Carr, Lee Running and Tatiana Ginsberg at Pyramid Atlantic Art Center in Silver Springs, MD. May 2009. There will be an artist book produced at Pyramid Atlantic as part of this collaboration. The show investigated the connections between the process-driven works of these three artists in relationship to handmade paper, correspondence, and shorthand. A collaborative site-specific installation between Kate Carr, Lee Running and Tatiana Ginsberg at Pyramid Atlantic Art Center in Silver Springs, MD. May 2009. There will be an artist book produced at Pyramid Atlantic as part of this collaboration. The show investigated the connections between the process-driven works of these three artists in relationship to handmade paper, correspondence, and shorthand. A collaborative site-specific installation between Kate Carr, Lee Running and Tatiana Ginsberg at Pyramid Atlantic Art Center in Silver Springs, MD. May 2009. There will be an artist book produced at Pyramid Atlantic as part of this collaboration. The show investigated the connections between the process-driven works of these three artists in relationship to handmade paper, correspondence, and shorthand. A collaborative site-specific installation between Kate Carr, Lee Running and Tatiana Ginsberg at Pyramid Atlantic Art Center in Silver Springs, MD. May 2009. There will be an artist book produced at Pyramid Atlantic as part of this collaboration. The show investigated the connections between the process-driven works of these three artists in relationship to handmade paper, correspondence, and shorthand. A collaborative site-specific installation between Kate Carr, Lee Running and Tatiana Ginsberg at Pyramid Atlantic Art Center in Silver Springs, MD. May 2009. There will be an artist book produced at Pyramid Atlantic as part of this collaboration. The show investigated the connections between the process-driven works of these three artists in relationship to handmade paper, correspondence, and shorthand.
    materials: transparent sailcloth.<br />A motion sensor illuminates the sewn house when the viewer approaches it. The wall text is a Lucy Lippard quote: “Home is at once more intimate and more isolated than place.”<br /><br /><a href='/doc/home_press1.pdf' target='blank' class='linkImg'>view press</a> materials: transparent sailcloth. <br /> A motion sensor illuminates the sewn house when the viewer approaches it. The wall text is a Lucy Lippard quote: “Home is at once more intimate and more isolated than place.”<br /><br /><a href='/doc/home_press1.pdf' target='blank' class='linkImg'>view press</a> materials: transparent sailcloth. <br /> A motion sensor illuminates the sewn house when the viewer approaches it. The wall text is a Lucy Lippard quote: “Home is at once more intimate and more isolated than place.”<br /><br /><a href='/doc/home_press1.pdf' target='blank' class='linkImg'>view press</a>
    materials: 2,000+ paper lunch bags. dimensions variable <br />For this installation I covered 4 walls and created a ceiling with paper lunch bags. The narrow exhibition space was lit from the floor to give the room a soft glow. Inside the air was warm and still. materials: 2,000+ paper lunch bags. dimensions variable <br />For this installation I covered 4 walls and created a ceiling with paper lunch bags. The narrow exhibition space was lit from the floor to give the room a soft glow. Inside the air was warm and still. materials: 2,000+ paper lunch bags. dimensions variable <br />For this installation I covered 4 walls and created a ceiling with paper lunch bags. The narrow exhibition space was lit from the floor to give the room a soft glow. Inside the air was warm and still.
    materials: baler twine, graphite, <br /> 8.5′ x 2′ x 2′<br />For this installation, I wrapped an existing post in the Armature Gallery with 2.5 miles of baler twine. To wrap the post, I carried the twine on my back and walked around the perimeter of the gallery, drawing my progress with a graphite stick on the walls as I walked. materials: baler twine, graphite, <br /> 8.5′ x 2′ x 2′<br />For this installation, I wrapped an existing post in the Armature Gallery with 2.5 miles of baler twine. To wrap the post, I carried the twine on my back and walked around the perimeter of the gallery, drawing my progress with a graphite stick on the walls as I walked. materials: baler twine, graphite, <br /> 8.5′ x 2′ x 2′<br />For this installation, I wrapped an existing post in the Armature Gallery with 2.5 miles of baler twine. To wrap the post, I carried the twine on my back and walked around the perimeter of the gallery, drawing my progress with a graphite stick on the walls as I walked. materials: baler twine, graphite, <br /> 8.5′ x 2′ x 2′<br />For this installation, I wrapped an existing post in the Armature Gallery with 2.5 miles of baler twine. To wrap the post, I carried the twine on my back and walked around the perimeter of the gallery, drawing my progress with a graphite stick on the walls as I walked. materials: baler twine, graphite, <br /> 8.5′ x 2′ x 2′<br />For this installation, I wrapped an existing post in the Armature Gallery with 2.5 miles of baler twine. To wrap the post, I carried the twine on my back and walked around the perimeter of the gallery, drawing my progress with a graphite stick on the walls as I walked.